While you get the top stability when using specific RF-mount glass, the IBIS also works with EF lenses, EF-S lenses, as well as ‘dumb’ lenses with no electrical contacts – that means vintage lenses, cinema lenses, lenses adapted from other camera systems… essentially any lens.Ĭanon EOS R5 with Canon RF 70-200mm f/2.8L (1/200 sec, f/2.8, ISO100) (Image credit: James Artaius / Digital Camera World) Build and handling The wait, however, has been worth it, as Canon is now officially the king of IBIS – the R5 (and the Canon EOS R6) boasts up to 8 stops of CIPA-rated stabilization, depending on the lens. Most excitingly, for long-suffering Canon users, the EOS R5 features the company’s agonizingly overdue implementation of 5-axis in-body stabilization. Backed up by dual card slots, including lightning-fast CFexpress support, this means that the R5 can stand toe-to-toe with sports cameras, video cameras and medium format cameras alike. And best of all, all these autofocus technologies are available in stills as well as all video resolutions and frame-rates – with a staggering 5,940 AF points for photography and 4,500 for filming.Īnd the continuous shooting speed is also on par with the 1D X Mark III, as the R5 matches the flagship’s top speed of 20fps via the electronic shutter (and 12fps using the mechanical shutter). Underpinning the autofocus is the brand new Dual Pixel CMOS AF II – the latest generation of Canon’s much-lauded AF system. However, the R5 has a trick that even the Mark III doesn’t have it is also capable of Animal AF that can track the eyes, faces and bodies of dogs, cats and birds – including birds in flight. The AI-powered Deep Learning AF system has been transplanted, enabling the new camera to perform spookily accurate eye, face and head tracking. The flagship 1D X has served as donor for much of the tech in the EOS R5. The Canon EOS R5's Animal AF is truly remarkable – and even works on birds in flight (Image credit: James Artaius / Digital Camera World) (Our lab results for the 1D X Mark III didn’t quite bear this out, and we’re currently testing the R5 to see if it comes true this time).
Canon’s new tech features quad-layer, 16-point subsampling and combines it with a Gaussian distribution technique to deliver sharpness rivaling the 5DS / R.
Traditional low-pass filters (employed to get rid of moiré) employ dual-layer, four-point subsampling and introduce a layer of softness to images. This is thanks to the new low-pass filter design, which was introduced in the flagship Canon EOS-1D X Mark III. Since the 8K DCI video has a resolution of 8,192 x 4,320, the camera has a Frame Grab function that enables you to take high-resolution 35.4MP stills (as JPEGs) from your footage – which is 5.1MP greater resolution than the Canon EOS R.Īll of this is thanks to the brand new 45MP image sensor, which Canon claims makes the R5 “the highest resolution EOS camera ever” – supposedly resolving even greater detail than the 50.6MP Canon EOS 5DS / R. However, the R5 is much more than just a video behemoth. Its 4K capture is every bit as ferocious, recording at up to 119.88fps (in the same 4:2:2 Canon Log or HDR PQ, in UHD or DCI) with external HDMI recording up at up to 59.94fps. The R5 can capture full-width (uncropped) raw 8K video using the entire readout of the 35mm sensor – and it does so internally at up to 29.97fps in 4:2:2 12-bit Canon Log or HDR PQ (both H.265) in both UHD and DCI. Obviously the headline attraction here is the remarkable video capability. Such are the lofty specs of the Canon EOS R5 that virtually every feature is a key feature.
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